"Indian film focuses on women in 2002 riot"

This article's title really intrigued me, and it goes without saying that I was definitely going to read it, but my real question was - which women? - Hindu, or Muslim?

The article is a simple news piece, but a real work of genius when you think of how different terms and language have been used.

Take, for example the title itself: "Indian film focuses on women in 2002 riot". The film is most certainly "Indian", yet the "women" in the film he refers to are Muslim - so why not mention that in the title? Instead, we find out only in the second paragraph that the protagonist is Muslim. If the focus of the film is this 23 year old pregnant girl, at least she deserves to be identified as a Muslim - the very reason for the violence she was victim to.

Then, towards the end of the piece, the writer did something I really detest - he called the film a "Hindi" film. Now, i'm pretty sure my criticism is directed appropriately, because many writers do this: they refer to Indian films as Hindi films. Why? I will never know. yet he still goes on to use "Indian" in the title of the article, but "Hindi" in the body. Very interesting!

Usually, what they're trying to say is that it is an Indian film, yet Hindi denotes the language of the film, and those of us familiar with South Asian cinema know all too well that Urdu is used almost always more often than Hindi.

But on that count, I may be mistaken, because the title of the film is kya hum jinda hai? with jinda being the hindi term for an urdu word, zinda - alive.

Anyway, semantics and use of language in unique ways never ceases to amaze me.

Forgive me if I have erred, and do leave comments if this spurs a discussion.

Article: A blind eye to bigotry

When I read the title of the article, I thought it'd be something about Blacks in America or antisemitism in the Middle East, but alas - it was on the Muslim massacre that took place in Gujarat, India five years ago.

I recall the horrors of that time in South Asian history because I was living in Lahore, Pakistan when it happened. We saw the images, read the stories. And today, to see that the ultimate perpetrator of that tragedy - Chief Minister Narendra Modi - is still in power is revolting. His political party - the BJP - is ultra-right wing and is thankfully no longer in power nationally, yet the ugly serpent still rears its head occasionally.

The article opened my eyes to the fact, no matter what, to make money, people will stoop to the lowest rung on a ladder and not even be hesitant or remorseful about it. Take, for example, China, which buys a lot of oil from Sudan. Likewise, you've got huge corporations from all over the world that continue to do business in Modi's Gujarat.

Some excerpts copied below:

Five years ago this week, across the Indian state of Gujarat, the stormtroopers of the Hindu right, decked in saffron sashes and armed with swords, tridents, sledgehammers and liquid gas cylinders, launched a pogrom against the local Muslim population. They looted and torched Muslim-owned businesses, assaulted and murdered Muslims, and gang-raped and mutilated Muslim women. By the time the violence spluttered to a halt, about 2,500 Muslims had been killed and about 200,000 driven from their homes.

The events of 2002 did not conform to the paradigm of the war on terror, in which India was a prize ally, so never achieved the infamy in the west they deserved. An array of interests - in New Delhi, London and Washington - is dedicated to ensuring the atrocity is consigned to oblivion. For them, the release of Parzania, a feature film centred on the violence, is an uncomfortable development. Despite dramatic flaws, it accurately depicts the savagery of the anti-Muslim violence, its planned, coordinated character, and the complicity of the police and the state government. Cinemas in Gujarat, under pressure from the Hindu right, are refusing to screen the film.

If and when Parzania reaches audiences here and in the US, it will offer a necessary counter-tale to the fashionable fable of the Indian neoliberal miracle, exposing the brutality and bigotry that have gone hand in hand with zooming growth rates and hi-tech triumphalism.

· Mike Marqusee writes a column for the Hindu; his most recent book is Wicked Messenger: Bob Dylan and the 1960s.

www.mikemarqusee.com

Read the entire article from The Guardian.